THE Atmospherics
Immersive, moody, and deeply evocative, this trail celebrates prints that capture a sense of place, light, and emotion. From misty landscapes to abstract impressions, these works draw you in through subtle tone, texture, and atmosphere.
Booth 14
Lindsey Moran | ASCENSION, 2025
Lindsey has a keen interest in the relationship between printmaking and photography. Her work explores the impact of light in both architectural and organic contexts; whilst being created by a process that is itself dependent on light exposure.
‘Ascension’ captures the ornate staircase of the Petit Palais in Paris framing a classical statue at its base. The Art Nouveau ironwork and sweeping curves create a dramatic backdrop, with the flowing metalwork both echoing and contrasting with the sculptural form. The polymer photogravure process allows for the production of an image with rich tonal gradations, creating an atmospheric depth and a sense of this timeless museum space.’
Booth 7
GREGORY MOORE | DOES IT MAKE A SOUND?, 2025
Forest walks provides Gregory with great inspiration for his work. On one of his walks he came across this fallen tree and just knew that it would make a great etching. He loved the strong diagonal composition and the way the other trees had taken its weight. The artist wanted to create a sense of silence and atmosphere and to take the viewer towards the soft distance.
The title is based on the philosophical question ‘If a tree falls in a forest and no one is around to hear it, does it make a sound?
Booth 14
Suzanne Moxhay | STAIRCASE WITH VEGETATION AND RAIN, 2019
Suzanne Moxhay (b.1976, Essex) lives and works in London. Her unique work explores the boundaries between inside and outside and between nature and the artificial through the blending of a fictitious imaginary space and a photographed ‘real’ space. Inspired by early film-making techniques, Suzanne has a diverse and eclectic art practice which encompasses printmaking, painting, photography and animation.
Booth 6
LEENA NAMMARI | HIDDEN PLACES | SECRETS KEPT | 51X50CM, 2023
Leena Nammari is a Palestinian artist living in Scotland. As a Palestinian living in the diaspora, in the UK, Leena researches and explores the role Haneen plays in cultural collective consciousness, its nostalgia and mythmaking, where tensions of longing/belonging function as catalysts in artistic and cultural dialogue for displaced communities. Using predominantly photographic and various printmaking techniques, She creates artworks exploring the lived, remembered & mythologised experiences as visual responses to contemporary Palestinian literature reflecting the search for home and longing.
Booth 7
BRIE BARNACLE | ENCIRCLED, 2024
Encircled’ is a large-scale multi-plate etching and monoprint exploring themes of familial connection and silence. Brie’s art is characterised by physical movement within nature often whilst walking with her family and the subsequent reconciling of this into visual forms. ‘Encircled’ is a contemplation of how walking with her sons fosters a space for connection and a clarity of thought away from societal expectations of mothering. The scale of this print is intended to capture the feeling of being engulfed and surrounded by the landscape, where feelings of safety and danger are interchangeable. Glimpses of moonlight offer hope, in the dark gestural voids that allude to days and nights that blur into one.
Booth 14
FRANCISCO GONZALEZ CAMACHO | ELSEWHERE, 2022
Francisco Gonzalez Camacho’s work presents a process-based approach interweaving photography and graphic printing methods, with Nordic nature as the central subject. This series didnt intend to explore the landscape in a traditional way, but rather as a metaphorical projection, reflecting internal processes of physical and spiritual displacement as an immigrant, working in the in-between space of natural and imaginary landscapes.
The use of infrared, a pictorial style and photopolymer etching with handmade Japanese paper emphasizes the themes as well as the introspective character of the images, by creating a greater tactile, emotional connection with the process.
Booth 33
Aly Storey | PEWSEY HILL NIGHT, 2021
Aly Storey is an artist and designer. She employs print techniques to explore across a diversity of scale and subject matter. Exploring the mysterious aura of barns in the countryside, Aly contemplates their stories.
Erected for entirely utilitarian reasons, to provide shelter, they are now to be found in states of use, disuse, abandonment and ruin.
Why? What? Where? When? Questions rooted in practical concerns are overtaken by the beauty of the patina, the romanticism of the ruin, the muscularity of the structure; sometimes erupting from, sometimes nestling into the contours.
Hiding in plain sight, she questions their very being in her evocative prints.
Booth 7
EMILY-MAY SIBLEY | VOID UPON THE HORIZON, 2024
Within ‘Void upon the Horizon’, Emily has explored the ideas of nighttime and the void in an attempt to create endless horizons and landscapes that seem vast and endless. She would like to portray a landscape that is hazy and mist-filled, teetering on the edge of existence and suspended in a dream-like state through the softness and delicate nature of the piece. Thus creating voids within her own artwork, specifically on the horizon lines, and the fact that what is there, cannot be truly represented and is intangible.
Booth 32
YUKI SCHOLL | "BEHELD #1", 2025
Yuki Scholl is a Japanese artist based in London. Her work is inspired by the transient beauty of nature and the impermanence of everything that exists, whether it is the physical world or our thoughts, feelings and emotions.
Reflecting on internal landscapes is the essence of Yuki’s practice. She sees her mindscapes in the form of colours, light and movement. Translating this into an image through the creation of her works is a meditative process transcending her to a moment of stillness. This work “Beheld #1” was created during a time of uncertainty. The resulting image is a delicate balance between the mystical and intriguing and the familiar and comforting.
Booth 7
Chris Otley | PORTH WEN BRICKWORKS, ANGLESEY, 2023
Chris Otley has an ongoing interest in the landscapes, structures, flora and fauna of the coast. In an ongoing series of etchings with aquatint, he has drawn quiet comparison between the refuge shelters found on the wonderfully liminal tidal causeway of the Holy Island of Lindisfarne, Northumberland (close to where he grew up), and the 'adjacent' beaches of Denmark, surrounded by industrial shipping ports and abandoned Nazi-era bunkers. Beaches and coastlines can be seen as at the heart of ideas of nationality and community, whether they welcome or guard against incomers.
