VIEWING ROOM 2 | West Middlesex Hospital
To refresh 8 outpatient clinics. A solo showcase of 5 -8 works per clinic, depending on price & size.
This new selection of works includes investment worthy artists and reasonably priced works
Abstract, Colourful, Landscape/Nature and Figurative.
Katherine jones RA | British
Katherine Jones is a contemporary British artist who combines painting and traditional printmaking techniques, bringing together disparate narratives in hyper-real or folkloric spaces. Perceptions of safety and danger are often presented using archetypal motifs such as a house, flower, sun or tree.
Jones is currently a visiting lecturer in Fine Art Printmaking at universities and colleges across the United Kingdom and Europe.
She was elected as a Royal Academician in 2022.
Marina Vandra | French
Graduated from the ENSAD (National School of Decorative Arts) in Paris with the congratulations of the jury in 2015 and the Royal College of London in 2017. Marina Vandra lives and works in Paris. In 2018, her work in Engraving was rewarded by the Lacourière engraving prize awarded by the National Library of France and the Foundation of France. The paintings of Marina Vandra present spaces that suggest the wallpaper, the sets, the trunk the eye or the window. This in order to question the perception of our environments, their multiplicity of interpretations and the idealization of reality by the composition of illusions. The projects have the starting point of a place. From lights, architectural elements, flora and feelings that define them, paintings continue and increase their presence. Her work questions the way in which the gaze and understanding of our environments shape our way of acting and interacting with them.
VICTORIA ARNEY | French
Drawing from sonograms which show the shape of her bird song recordings, Victoria’s prints evoke the flow & script of life around her studio. Her library of plates and sounds she successively uses to make small editions and large installations. Her use of wood links to the natural spaces where she makes her recordings. Collecting information on particular birds & places over several years she has developed a dialogue of place that mirrors back a script of ephemeral life extending printmaking into the physical and the music conversations.
julia colmenares | BRITISH
Julia Colmenares (UK, USA) Her painting and print practice is informed by landscape, the imagination, and the emotive act of gestural mark-making – physical energy transferred from the body to the metal plate or canvas. Mono-printing translates the experience of nature into sensuous marks. She wipes away, scrawls and jabs, revealing an image from an inked steel plate. The technique’s time limitation encourages spontaneity and honesty in the mark making process. Some works draw from observation, memories, as well as a personal questioning of cultural shapeshifting and transnational perceptions of landscape. Being an American living abroad has brought her closer to her own roots and histories. The recent mono-print, Talking with the Sky, is a sentinel to the traditional English landscape garden. The energetic movement and lifting of ink contradicts the stillness of the pond and the Picturesque gaze; a gaze, a colonial aftertaste that is both homogenous and heterogenous, where complicity and beauty merge. A personal hybridity in cultural backgrounds acts as a motor to her research and reflections, as does being a female artist. Cosmic Fern celebrates the ‘Wanderer’, where walking and relaxed looking finds both beauty and extraordinary in the familiar: be it traditional, from the English landscape garden or to the fern edged urban areas of Epping Forest.
Sadie Tierney | British
Sadie Tierney studied MA Fine Art Printmaking at the Royal College of Art. Working in a tradition of English landscape painter/printmakers, her work explores objects and places where form is linked to emotion and metaphor. The expressive images have a contemporary edge, marked by energetic use of colour and line.
Winner of the Boodle Hatfield Prize for Printmaking at Woolwich Contemporary Print Fair 2020, she is pleased to have exhibited prints every year since the Fair was established. Frequently on the walls of the Royal Academy Summer Exhibition with her distinctive woodcuts, recent solo exhibitions include Rabley Gallery and Eton College. This year she completed a commission for Cunard, destined for the newest addition to the fleet, Queen Anne.
Public collections include: Bronx Museum of the Arts, New York; The National Museum in Gdańsk; The Imperial Health Trust, London; The Royal West of England Academy (Bristol); Pallant House; Otter Collection, University of Chichester; Portsmouth Museum; Swindon Museum and Art Gallery; Clifford Chance Collection; Eton College Collection; Royal College of Art; The Royal Navy.
Lucille ClerC | FRENCH
Lucille Clerc is a French illustrator, based in London. She holds a DSAA in visual communication (ENSAAMA - Olivier de Serres,Paris) and a Masters in Communication Design (Central Saint Martins, London). She works mainly for the press and publishing and regularly on a larger scale for the creation of textile patterns and murals. She specialises in making hand drawings, developed into screen printing in her personal work, to create large-scale compositions, architectural portraits of her favourite places and explore their past and present lives. Her favourite themes are the city and Nature and their sometimes symbiotic / sometimes antagonistic relationships. She develops these subjects in opulent narrative compositions filled with decorative and architectural details observed on site, with tones inspired by Nature and with a myriad of details that the viewer explores like a territory. Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Bobbye Fermie
Maxine Gregson
ELLA WEST
Mary Yacoob
valeska hykel
Rebecca Holmes
Framing Examples
We have a close partnership with The Framing Room who offer exceptional framing services and advice, specialising in contemporary, hand-finished frames. They hand make every frame in their Brockley workshop using conservation grade materials and sustainably sourced wood.
