Studio Dean
Aspirational Design, Everyday
North East Based Practice with links to London and Edinburgh | Aesthetic reflects and lends itself to process-led, art-historical narratives, rich palettes. Sophisticated; textural.
Introduce dynamic rising stars to create a synergy between the interiors and artworks.
Natural, earthy tones, stone, rust, bouclé, raw linens, architecture.
Katherine jones RA
Katherine Jones is a contemporary British artist who combines painting and traditional printmaking techniques, bringing together disparate narratives in hyper-real or folkloric spaces. Perceptions of safety and danger are often presented using archetypal motifs such as a house, flower, sun or tree.
Jones is currently a visiting lecturer in Fine Art Printmaking at universities and colleges across the United Kingdom and Europe.
She was elected as a Royal Academician in 2022.
James Rogers
James’ sculptural pieces are made through the combination of a digital 3D printed coiling process and the age-old lost wax casting process. The sculptures can be cast in a variety of materials with a variety of finishes such as aluminium then bronze, with verdi-gris, ferrous, polished, and pink patinas. Through the use of bronze, the sculptures arc back to the history of the figurative sculptures, and its placement within the creation of weaponry and tools. Aluminium can position the work between both the organic and the inorganic, with some parts of it taking on the form of sedimentary coral like forms, while other parts of the sculpture still carry their shiny metallic qualities
Thomas Gosebruch
Gosebruch Studied Painting at Hochschule für Bildende Künste, Hamburg and The Royal College of Art, London. He then went on to gain an MA in Printmaking at Hochschule für Bildende Kunst, Braunschweig. Gosebruch Currently teaches at The National Gallery and City Lit in London.
JOseph GOODY
Joseph Goody’s abstract imagery is inspired by – in his words – ‘literature, castle walls, parapets and ideas of organisation’. Meticulously composed, his works explore geometric forms and layering with a softness that creates a sense of tension.
JOHANAH MURIEL
Johannah Muriel is a Hackney-based artist and printmaker. Her one of a kind, mixed-media studies combine gestural marks and mainly abstract shape formations, to produce layers of colour and texture. Johannah’s prints are the result of instinctive reactions to natural references- inspiration taken from nature, everyday life or beauty found in decaying objects, discarded by others.
Areas of varnish and detailed hand-embroidery manifests on paper into organic forms and compositional features, encouraging the viewer to investigate each layer of the work.
ODILIA SUANZES
Suanzes’ work is an exploration of the sublime of experiences of landscapes so overwhelming they are beyond description. Her sense of these experiences is what she tries to understand and explore through printmaking.
Her works are related to her mind - the activities and cognitive processes that happen when she paints both consciously and unconsciously. The mind represents a complete whole phenomenon responsible for vital and complex things such as emotions, perceptions, memory, reasoning, learning, creativity, imagination and desires.
Suanzes aims to create a connection between neurology, phenomenology and the sublime. The sublime is awakened in us through the senses as a disorder,of something vastly superior and unknowable to the person perceiving it, it causes feelings of ontological insignificance: finitude and impotence as a being made manifest.
These actions and processes relate directly to how she senses heightened emotional experiences.
Holly Drewett
Holly Drewett is a visual artist currently based between Messenia, Greece and London, UK.
Over the past six years Drewett’s practice has been informed by sound and landscape. She frequently documents sites using sound and through a listening and response process she creates drawings that function as a graphic score or rhythmic abstraction of place.
Other work has involved a collaboration with acoustician and environmental researcher Pierre Cauchy, working with an underwater audio archive taken across the world, ranging from the organic to mechanic, whale song to sonar. 'A translation of an underwater soundscape (whale song to sonar) consists of individual linocut, relief plaster casts, giving sound a tactile, visual form. Light and shadow signal catalyst and consequence.
Drewett holds an MA in Print from the Royal College of Art and has exhibited internationally, her work is held in collections at CICA Museum, National Taiwan Museum of Fine Arts, and Royal College of Art.
Katja Angeli
Referencing the human body, fluid forms and play, Angeli’s practice is rooted in drawing, collage and appropriation. She is interested in the slippage between figuration and abstraction. Her works are to varying degrees informed by pop culture, art history, comics, politics and language, architecture and animation. Angeli’s approach to her work is dependent on a sense of connection with its making. I’m often guided by materials when thinking about new work.
“Paper is a favourite of mine because it’s porous and fragile and alive. It’s punk. So is collage and, as a form, it is central to the way I think about my work. Collage implies movement and change. It’s a radical approach that inhabits chaos and rupture. I keep returning to it, I guess, because it reflects how I think and sample and relate to the world around me.
My relationship with nature lies behind my love of materiality and comes through in my engagement with materials and my connection with the process of making. I’m interested in the dialogue between the organic and the digital which I explore in the process of making, combining traditional materials, methods and techniques with digital applications.”
Framing Examples
We have a close partnership with The Framing Room who offer exceptional framing services and advice, specialising in contemporary, hand-finished frames. They hand make every frame in their Brockley workshop using conservation grade materials and sustainably sourced wood.
