Yinka Shonibare CBE
African Bird Magic (Sokoke Scops-Owl and Okuyi Mask), , 2024

£2,400.00
available for orders up to £1,000.00
Screenprint
Media Dimensions: 60 x 74 cm
Image Dimensions: 48 x 60 cm
Edition of 60
Framed only

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £240.00.

Yinka Shonibare CBE RA (b. 1962) in London, UK, studied Fine Art at Byam Shaw School of Art, London (1989) and received his MFA from Goldsmiths, University of London (1991). His interdisciplinary practice uses citations of Western art history and literature to question the validity of contemporary cultural and national identities within the context of globalisation. Through examining race, class and the construction of cultural identity, his works comment on the tangled interrelationship between Africa and Europe, and their respective economic and political histories.

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Screenprint
Media Dimensions: 60 x 74 cm
Image Dimensions: 48 x 60 cm
Edition of 60
Framed only

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £240.00.

Yinka Shonibare CBE RA (b. 1962) in London, UK, studied Fine Art at Byam Shaw School of Art, London (1989) and received his MFA from Goldsmiths, University of London (1991). His interdisciplinary practice uses citations of Western art history and literature to question the validity of contemporary cultural and national identities within the context of globalisation. Through examining race, class and the construction of cultural identity, his works comment on the tangled interrelationship between Africa and Europe, and their respective economic and political histories.

Screenprint
Media Dimensions: 60 x 74 cm
Image Dimensions: 48 x 60 cm
Edition of 60
Framed only

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £240.00.

Yinka Shonibare CBE RA (b. 1962) in London, UK, studied Fine Art at Byam Shaw School of Art, London (1989) and received his MFA from Goldsmiths, University of London (1991). His interdisciplinary practice uses citations of Western art history and literature to question the validity of contemporary cultural and national identities within the context of globalisation. Through examining race, class and the construction of cultural identity, his works comment on the tangled interrelationship between Africa and Europe, and their respective economic and political histories.

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