Teresa Schippel Hales | St Fagans, 2024
Media Dimensions: 40 x 48 cm
Image Dimensions: 20 x 26.5 cm
Edition of 30
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £24.00.
Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities
Media Dimensions: 40 x 48 cm
Image Dimensions: 20 x 26.5 cm
Edition of 30
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £24.00.
Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities
Media Dimensions: 40 x 48 cm
Image Dimensions: 20 x 26.5 cm
Edition of 30
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £24.00.
Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities