Rebecca Holmes | Floating Points, 2022
Media Dimensions: 44 x 58 cm
Image Dimensions: 40 x 53.5 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £96.00.
Though rendered with precision, the landscapes Rebecca depicts are a composite of figurative elements, discrete natural phenomena, recorded with charcoal, ink and photography, cut up, distorted and combined to create an unnatural location, one which speaks as directly to the emotions as it does to the senses. Rebecca makes most of her work in the middle of the night when it is quiet and she can let the image evolve. She is far more interested in how a place makes a person feel, and what response or connection they may have to it, rather than depicting just what is seen.
Media Dimensions: 44 x 58 cm
Image Dimensions: 40 x 53.5 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £96.00.
Though rendered with precision, the landscapes Rebecca depicts are a composite of figurative elements, discrete natural phenomena, recorded with charcoal, ink and photography, cut up, distorted and combined to create an unnatural location, one which speaks as directly to the emotions as it does to the senses. Rebecca makes most of her work in the middle of the night when it is quiet and she can let the image evolve. She is far more interested in how a place makes a person feel, and what response or connection they may have to it, rather than depicting just what is seen.
Media Dimensions: 44 x 58 cm
Image Dimensions: 40 x 53.5 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £96.00.
Though rendered with precision, the landscapes Rebecca depicts are a composite of figurative elements, discrete natural phenomena, recorded with charcoal, ink and photography, cut up, distorted and combined to create an unnatural location, one which speaks as directly to the emotions as it does to the senses. Rebecca makes most of her work in the middle of the night when it is quiet and she can let the image evolve. She is far more interested in how a place makes a person feel, and what response or connection they may have to it, rather than depicting just what is seen.
