Thomas WH Compton | Where Barrows Grow, The Four Legged Fall Silent, 2025

from £480.00

Screenprint

Media Dimensions: 56 x 76 cm

Image Dimensions: 47 x 68 cm

Edition of 20


Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £60.00.


Thomas Compton is an artist, printmaker and illustrator, whose work explores an interplay of personal mythologies, histories and cultural archetypes. These works pull into focus the reliability of personal recount within a broader mesh of interwoven narratives, deferring to a more holistic outlook on the nature of self. Narrativised works bridge analogue and digital techniques to craft imagery with consideration for the historical and contextual use of printing techniques with material properties and deliberated image form. The coalescence of meticulous silkscreen printing and experimental layering techniques are informed by the influence of industrial printing processes. His thinking being, that there is a point where technical manifestation within print as a result of exacting control, becomes an alchemical extension of the artwork itself.

Select your artwork:

Screenprint

Media Dimensions: 56 x 76 cm

Image Dimensions: 47 x 68 cm

Edition of 20


Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £60.00.


Thomas Compton is an artist, printmaker and illustrator, whose work explores an interplay of personal mythologies, histories and cultural archetypes. These works pull into focus the reliability of personal recount within a broader mesh of interwoven narratives, deferring to a more holistic outlook on the nature of self. Narrativised works bridge analogue and digital techniques to craft imagery with consideration for the historical and contextual use of printing techniques with material properties and deliberated image form. The coalescence of meticulous silkscreen printing and experimental layering techniques are informed by the influence of industrial printing processes. His thinking being, that there is a point where technical manifestation within print as a result of exacting control, becomes an alchemical extension of the artwork itself.