Rosy-May Schofield
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Rosy-May Schofield is an artist using printmaking to explore conversations and relationships. Working with gothic and theatrical elements, she brings visibility to confessional art, reinterpreting it in a surreal way for a new audience.
The intention behind the work is to create solidarity between people, making them feel less alone, by communicating less “desirable” human attributes such as obsession and self-consciousness. Other themes include power play, sensuality, tenderness, violence and mortality. The colour blue is an important element, a reference to Gertrude Stein’s colour theory: ‘blue is always precious’.
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Rosy-May Schofield is an artist using printmaking to explore conversations and relationships. Working with gothic and theatrical elements, she brings visibility to confessional art, reinterpreting it in a surreal way for a new audience.
The intention behind the work is to create solidarity between people, making them feel less alone, by communicating less “desirable” human attributes such as obsession and self-consciousness. Other themes include power play, sensuality, tenderness, violence and mortality. The colour blue is an important element, a reference to Gertrude Stein’s colour theory: ‘blue is always precious’.
Rosy-May Schofield is an artist using printmaking to explore conversations and relationships. Working with gothic and theatrical elements, she brings visibility to confessional art, reinterpreting it in a surreal way for a new audience.
The intention behind the work is to create solidarity between people, making them feel less alone, by communicating less “desirable” human attributes such as obsession and self-consciousness. Other themes include power play, sensuality, tenderness, violence and mortality. The colour blue is an important element, a reference to Gertrude Stein’s colour theory: ‘blue is always precious’.
