Georgia Green

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Since graduating with a BA in Fine Art: Painting and Printmaking from Glasgow School of Art in 2018 Georgia has championed sustainable printmaking processes such as risography, a mechanised form of stencil printing with a more climate conscious appeal than its traditional or digital counterparts. While she primarily uses contemporary mediums of replication within her practice, Georgia’s knowledge of traditional printmaking strongly informs her mark-making processes. With each new edition she generates an organic and intuitive creative dialogue, designed to challenge the stereotypical view of risography as a ‘pop’ or ‘kitsch’ medium. Through this exchange she highlights the subtle possibilities of colour and texture that can be achieved using sustainable soya-based inks, bridging the divide between fine art duplication and more accessible printmaking mediums.  Highlights from her practice over the past twelve months include exhibiting a solo-show of large, transient transfer-print frescoes in collaboration with Outpost Gallery as their artist in residence in East Anglia, and winning the East London Printmakers’ Studio Bursary Award for talented emerging artists.
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Since graduating with a BA in Fine Art: Painting and Printmaking from Glasgow School of Art in 2018 Georgia has championed sustainable printmaking processes such as risography, a mechanised form of stencil printing with a more climate conscious appeal than its traditional or digital counterparts. While she primarily uses contemporary mediums of replication within her practice, Georgia’s knowledge of traditional printmaking strongly informs her mark-making processes. With each new edition she generates an organic and intuitive creative dialogue, designed to challenge the stereotypical view of risography as a ‘pop’ or ‘kitsch’ medium. Through this exchange she highlights the subtle possibilities of colour and texture that can be achieved using sustainable soya-based inks, bridging the divide between fine art duplication and more accessible printmaking mediums.  Highlights from her practice over the past twelve months include exhibiting a solo-show of large, transient transfer-print frescoes in collaboration with Outpost Gallery as their artist in residence in East Anglia, and winning the East London Printmakers’ Studio Bursary Award for talented emerging artists.
Since graduating with a BA in Fine Art: Painting and Printmaking from Glasgow School of Art in 2018 Georgia has championed sustainable printmaking processes such as risography, a mechanised form of stencil printing with a more climate conscious appeal than its traditional or digital counterparts. While she primarily uses contemporary mediums of replication within her practice, Georgia’s knowledge of traditional printmaking strongly informs her mark-making processes. With each new edition she generates an organic and intuitive creative dialogue, designed to challenge the stereotypical view of risography as a ‘pop’ or ‘kitsch’ medium. Through this exchange she highlights the subtle possibilities of colour and texture that can be achieved using sustainable soya-based inks, bridging the divide between fine art duplication and more accessible printmaking mediums.  Highlights from her practice over the past twelve months include exhibiting a solo-show of large, transient transfer-print frescoes in collaboration with Outpost Gallery as their artist in residence in East Anglia, and winning the East London Printmakers’ Studio Bursary Award for talented emerging artists.
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