Sam Johnson-Clubb
£0.00
Her work is informed by an interest in metamorphosis; the transformation of physical form. Her practice uses collage, assemblage, painting and printmaking processes. She uses a subdued colour palette to convey a sense of faded, aged quality in her work.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
Her work is informed by an interest in metamorphosis; the transformation of physical form. Her practice uses collage, assemblage, painting and printmaking processes. She uses a subdued colour palette to convey a sense of faded, aged quality in her work.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
Her work is informed by an interest in metamorphosis; the transformation of physical form. Her practice uses collage, assemblage, painting and printmaking processes. She uses a subdued colour palette to convey a sense of faded, aged quality in her work.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
She is influenced by the juxtapositions and distorted figures of Surrealism art; in particular the collages of Hannah Hoch and the paintings of Leonora Carrington.
She uses found images and takes photographs of objects that catch her eye, then dissects and pieces various parts together to construct imaginary characters. These form the basis for her compositions of hybrids with undercurrents of fear, foreboding, tension and threat.
