Regan Boyce
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Based in North-West London, Regan Boyce is a multidisciplinary artist known for vibrant colour use and geometry in both print sculpture and installation. Focusing on narratives around the biosphere through abstract constructions and imagery in metal, light and ink.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
Based in North-West London, Regan Boyce is a multidisciplinary artist known for vibrant colour use and geometry in both print sculpture and installation. Focusing on narratives around the biosphere through abstract constructions and imagery in metal, light and ink.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
Based in North-West London, Regan Boyce is a multidisciplinary artist known for vibrant colour use and geometry in both print sculpture and installation. Focusing on narratives around the biosphere through abstract constructions and imagery in metal, light and ink.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
Boyce’s work is defined by colour: vivid tones and contrast. Using dichromatic pallets, complex relationships are made from interacting layered textures, patterns and lines. Most apparent throughout his abstract series: curving lines with the use halftone gradients and textural marks allow colours to interact and form unique variations, combinations and optical effects.
Present in both his sculptural and print practice the biosphere is present through geometric crops of colour, defined focus on light and shadow and the removal of segments of natural forms. Within his print work he most noticeably segments trees which hang suspended in space. These works comment on man-kind’s controlling and enforcing rule over nature.
Screen-printing has become a pivotal process in Boyce’s practice influencing (and influenced by) his sculptural work. Both facets of his work allow for experimentation with colour, composition and form; resulting in a unique approach to each.
