James Randell
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James Randell (b.1992) is a London-based printmaker and artist-educator. James has recently established a print studio at gallery Soho Revue, and collaborates on editions with their programme of artists.
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
James Randell (b.1992) is a London-based printmaker and artist-educator. James has recently established a print studio at gallery Soho Revue, and collaborates on editions with their programme of artists.
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
James Randell (b.1992) is a London-based printmaker and artist-educator. James has recently established a print studio at gallery Soho Revue, and collaborates on editions with their programme of artists.
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
"I am interested in narrative structures, and how chance, erasure and reappropriation can give rise to new stories or shed light on old ones. I pursue this interest in collage, print, painting, model-making and performance, with a particular interest in both toxic and beautiful masculine cultures, society's cyclical fears about the end of the world and the aesthetics of English folk art and drab popular pastimes. Recent works are stewed from junk, old books and ephemera. I trawl for, net and submerge characters and plotlines into coded abstraction. Recent images of magpies, foxes and flora attempt to re-examine and bring magic back to our everyday experiences our living in the city."
