Hannah Tilson
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Hannah Tilson (b. London, 1995)
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
Hannah Tilson (b. London, 1995)
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
Hannah Tilson (b. London, 1995)
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
2019-21 Royal Drawing School, (PG)
2014-18 Slade School of Fine Art, (BA)
2016 New York Studio School, (exchange)
2013-14 Central St Martins
“I’m interested in pattern, colour and entanglement. Drawing and painting self-portraits made with homemade paint, placing myself in a vibrating space filled with patterns. It is important for me to make my own paint, my colours feel raw and pure, and I am able to control the translucency and opacity of it while keeping the intensity of colour. I am viewing my body and the pattern I am encompassed in as a landscape / patternscape; the figure is ambiguous, but there is something left for you to hold onto. I want viewers to question what they see and live in this fast-moving, turbulent space.” HT 2023
