Corina Surdu
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Nature, vision and memory are closely intertwined in the work of Corina Surdu, who, while anchored in the representation of the wonder of nature, constructs other worlds. The natural datum, an emotional and poetic starting point, is transfigured into abstract images of great imaginative breath.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.
Nature, vision and memory are closely intertwined in the work of Corina Surdu, who, while anchored in the representation of the wonder of nature, constructs other worlds. The natural datum, an emotional and poetic starting point, is transfigured into abstract images of great imaginative breath.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.
Nature, vision and memory are closely intertwined in the work of Corina Surdu, who, while anchored in the representation of the wonder of nature, constructs other worlds. The natural datum, an emotional and poetic starting point, is transfigured into abstract images of great imaginative breath.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.
The often large-format xylography, obtained through the use of small, engraved signs, outline a visionary, mobile and restless world. They are visions of skies, or perhaps of galaxies, of clouds or rather of oceans and abysses, of leaves and woods observed under a microscope; they are interior, mental landscapes, with uncertain spatial coordinates, sometimes overturned, that become vibrant matter in constant movement.