Cameron Mowat
Cameron Mowat (b. 2001) is a figurative painter and printmaker who lives and works in West Yorkshire. Graduating from Kingston School of Art in 2023, Mowat’s practise explores the tactile possibilities of Monotype oil printmaking. His wider practise encompasses observational drawing, situating himself to the world around him. Drawing on a rich visual history, Mowat examines how we live, work, move, and look upon the world; as a part of nature and yet apart from it, to highlight the anxieties of Modern life. His technique involves works directly into a glass plate, where paint marks resist the surface and push against it; with a glass surface the medium influences the finished work – giving over control in the process. Mowat uses this to suggest an ambiguity to his spaces, where lines blur and forms interplay. Mowat frames his work as an investigation; a constant state of questioning that propels him forward.
Cameron Mowat (b. 2001) is a figurative painter and printmaker who lives and works in West Yorkshire. Graduating from Kingston School of Art in 2023, Mowat’s practise explores the tactile possibilities of Monotype oil printmaking. His wider practise encompasses observational drawing, situating himself to the world around him. Drawing on a rich visual history, Mowat examines how we live, work, move, and look upon the world; as a part of nature and yet apart from it, to highlight the anxieties of Modern life. His technique involves works directly into a glass plate, where paint marks resist the surface and push against it; with a glass surface the medium influences the finished work – giving over control in the process. Mowat uses this to suggest an ambiguity to his spaces, where lines blur and forms interplay. Mowat frames his work as an investigation; a constant state of questioning that propels him forward.
Cameron Mowat (b. 2001) is a figurative painter and printmaker who lives and works in West Yorkshire. Graduating from Kingston School of Art in 2023, Mowat’s practise explores the tactile possibilities of Monotype oil printmaking. His wider practise encompasses observational drawing, situating himself to the world around him. Drawing on a rich visual history, Mowat examines how we live, work, move, and look upon the world; as a part of nature and yet apart from it, to highlight the anxieties of Modern life. His technique involves works directly into a glass plate, where paint marks resist the surface and push against it; with a glass surface the medium influences the finished work – giving over control in the process. Mowat uses this to suggest an ambiguity to his spaces, where lines blur and forms interplay. Mowat frames his work as an investigation; a constant state of questioning that propels him forward.