Augusta Akerman's current practice revolves around loss of time and technological paranoia. Exploring connectivity and division, old technology verses new.
Akerman's varied approach to image making tends to centre around various forms of printmaking. Mono, Pochoir and Tetra Pak printing, in combination with collage and painterly elements.
Creating conceptually layered pieces made up of fluid marks that range from illustrative to abstract. Many of these marks fade into the background whereas some reach out creating a sense of other dimension and depth.
Recurring symbols of architectural origin alongside symbols of the natural world comment on the meeting point of humanity and nature.
Augusta Akerman's current practice revolves around loss of time and technological paranoia. Exploring connectivity and division, old technology verses new.
Akerman's varied approach to image making tends to centre around various forms of printmaking. Mono, Pochoir and Tetra Pak printing, in combination with collage and painterly elements.
Creating conceptually layered pieces made up of fluid marks that range from illustrative to abstract. Many of these marks fade into the background whereas some reach out creating a sense of other dimension and depth.
Recurring symbols of architectural origin alongside symbols of the natural world comment on the meeting point of humanity and nature.