Victoria Arney & Carol Wyss
£0.00
BIRDS IN MY HEAD
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
BIRDS IN MY HEAD
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
BIRDS IN MY HEAD
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
An ongoing collaborative project by Victoria Arney & Carol Wyss
These prints are part of a series of unique handmade Riso Prints which we have worked on collaboratively. The project is to develop a large format loose leaf book and wall installation using our research libraries of birdsong sonograms and human cranial structure imagery. Entering into a dialogue through the use of the same matrix, we aim to provide a common thread through which we can visually explore ideas of landscape & script.
The skeleton is the framework through which Carol Wyss examines the relationship of human structures to their surroundings. Bones are the basic structure of our physical reality and essential in reconstructing who we are and where we come from. Through processes of dismantling, zooming in and reconstructing, she searches for new formations which relate to how humanity understands and manages our fragile existence. Her preferred media are etching & screenprinting, with which she frequently creates expansive installations.
Victoria makes work from birdsong recordings near her studio. Using ornithological programs she has developed a visual sound library over several years from particular places. The migrational movement of birds where she lives transforms the terrain, she works mainly in woodcut and etching using sonogram forms as visual scripts for these places. Developing her practice she makes installations mirroring the physical movements outside. Her works are about time and contact with natural spaces, flow and flux of species, human touch and how to make these hidden connections visible.
