Screenprint
Also referred to as a woodblock, a woodcut is a relief printmaking process in which an image is carved into a block of wood, leaving the raised areas to hold the ink. The artist works directly on the surface of the block—traditionally cut from softwood—removing the areas that are not meant to print.
Ink is applied to the raised surface, and paper is then placed on top and printed either by hand, often using a baren, or with a press. The pressure transfers the ink from the block to the paper, producing the final image. Contemporary woodcuts may also involve laser cutting, expanding the ways in which the block can be prepared.
One of the defining qualities of woodcut is the visible grain of the wood, which often becomes an integral part of the image. Artists may work with the grain to create texture and movement, or choose to carve against it for sharper contrasts. Blocks are typically cut lengthways, though some artists work end-grain to achieve finer detail.
Because wood is a relatively soft material, repeated printing gradually wears the surface of the block. This natural limitation often influences edition size, contributing to the character and material specificity of each woodcut print.
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A stencil is created on a fine mesh screen.
Ink is pulled across the surface with a squeegee.
Ink passes through open areas onto the paper.
Each colour is printed separately in layers.
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Flat, vibrant colour fields.
Sharp edges and strong graphic clarity.
Layered compositions through multiple passes.
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Screens can be reused, but are typically reclaimed after an edition.
Consistency is high when carefully printed.
Edition size is usually fixed in advance.
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Based on declared edition size.
Condition and demand influence circulation.
Screens are often cleared to preserve edition integrity.