Nicole Susonne Pietrantoni - Seeds for Tomorrow, 2024
Digital
Media Dimensions: 63 x 50 cm
Image Dimensions: 63 x 50 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £420.00 (framed only).
Nicole Pietrantoni creates experimental artists’ books, prints, and installations. Her work combines traditional printmaking and bookbinding techniques with photography and sculpture to explore humans’ relationship to the natural world.
Pietrantoni’s inkjet-printed accordion books expand into wall-mounted paper sculptures. Strips of prints zig-zag down the wall in grids of color and halftone dots. The printed books become analog artifacts – objects that make a pixel-based world become reconstituted in the material world via printed matter. Her work asks how the book and printed matter can both enable and undercut humans’ active role in constructing and idealizing images.
Pietrantoni is the is the recipient of numerous awards including a Fulbright to Iceland, an Artist Trust Fellowship, and a Larry Sommers Printmaking Fellowship. Her artwork is in collections including Yale University, the Library of Congress, Washington State Arts Commission, Zahed University-United Arab Emirates, University of Iowa Museum of Art, and the Zuckerman Museum of Art. Pietrantoni’s work has been included in publications including Art in Print, The Washington Post, and featured in the book American Printmakers (Schiffer Publishing).
Pietrantoni received her MFA and MA in Printmaking from the University of Iowa and her BS from Vanderbilt University. She currently lives in Girona, Spain.
Digital
Media Dimensions: 63 x 50 cm
Image Dimensions: 63 x 50 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £420.00 (framed only).
Nicole Pietrantoni creates experimental artists’ books, prints, and installations. Her work combines traditional printmaking and bookbinding techniques with photography and sculpture to explore humans’ relationship to the natural world.
Pietrantoni’s inkjet-printed accordion books expand into wall-mounted paper sculptures. Strips of prints zig-zag down the wall in grids of color and halftone dots. The printed books become analog artifacts – objects that make a pixel-based world become reconstituted in the material world via printed matter. Her work asks how the book and printed matter can both enable and undercut humans’ active role in constructing and idealizing images.
Pietrantoni is the is the recipient of numerous awards including a Fulbright to Iceland, an Artist Trust Fellowship, and a Larry Sommers Printmaking Fellowship. Her artwork is in collections including Yale University, the Library of Congress, Washington State Arts Commission, Zahed University-United Arab Emirates, University of Iowa Museum of Art, and the Zuckerman Museum of Art. Pietrantoni’s work has been included in publications including Art in Print, The Washington Post, and featured in the book American Printmakers (Schiffer Publishing).
Pietrantoni received her MFA and MA in Printmaking from the University of Iowa and her BS from Vanderbilt University. She currently lives in Girona, Spain.
Digital
Media Dimensions: 63 x 50 cm
Image Dimensions: 63 x 50 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £420.00 (framed only).
Nicole Pietrantoni creates experimental artists’ books, prints, and installations. Her work combines traditional printmaking and bookbinding techniques with photography and sculpture to explore humans’ relationship to the natural world.
Pietrantoni’s inkjet-printed accordion books expand into wall-mounted paper sculptures. Strips of prints zig-zag down the wall in grids of color and halftone dots. The printed books become analog artifacts – objects that make a pixel-based world become reconstituted in the material world via printed matter. Her work asks how the book and printed matter can both enable and undercut humans’ active role in constructing and idealizing images.
Pietrantoni is the is the recipient of numerous awards including a Fulbright to Iceland, an Artist Trust Fellowship, and a Larry Sommers Printmaking Fellowship. Her artwork is in collections including Yale University, the Library of Congress, Washington State Arts Commission, Zahed University-United Arab Emirates, University of Iowa Museum of Art, and the Zuckerman Museum of Art. Pietrantoni’s work has been included in publications including Art in Print, The Washington Post, and featured in the book American Printmakers (Schiffer Publishing).
Pietrantoni received her MFA and MA in Printmaking from the University of Iowa and her BS from Vanderbilt University. She currently lives in Girona, Spain.