Ben Hancocks - 2 elements of chaos No4 2nd state, 2023
Etching
Media Dimensions: 42 x 55 cm
Image Dimensions: 31.5 x 41 cm
Edition of 15
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £40.00 (unframed).
Ben Hancocks born Lincolnshire 1951, studied, Grimsby School of Art 1967-1970, Camberwell School of Art 1970-1973.
The recent prints of Ben Hancocks come from a series of work, including drawings and sculptures, titled “elements of chaos”.
The shape of the forms reflect his love of early woodcut Totentanz prints and the demon drawings of the 15th century Transoxanian artist Mehmed Siyah Qalam.
Through mixing his own ink, Ben is able to control the plate tone, which creates the atmosphere through which his shapes move.
Etching
Media Dimensions: 42 x 55 cm
Image Dimensions: 31.5 x 41 cm
Edition of 15
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £40.00 (unframed).
Ben Hancocks born Lincolnshire 1951, studied, Grimsby School of Art 1967-1970, Camberwell School of Art 1970-1973.
The recent prints of Ben Hancocks come from a series of work, including drawings and sculptures, titled “elements of chaos”.
The shape of the forms reflect his love of early woodcut Totentanz prints and the demon drawings of the 15th century Transoxanian artist Mehmed Siyah Qalam.
Through mixing his own ink, Ben is able to control the plate tone, which creates the atmosphere through which his shapes move.
Etching
Media Dimensions: 42 x 55 cm
Image Dimensions: 31.5 x 41 cm
Edition of 15
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £40.00 (unframed).
Ben Hancocks born Lincolnshire 1951, studied, Grimsby School of Art 1967-1970, Camberwell School of Art 1970-1973.
The recent prints of Ben Hancocks come from a series of work, including drawings and sculptures, titled “elements of chaos”.
The shape of the forms reflect his love of early woodcut Totentanz prints and the demon drawings of the 15th century Transoxanian artist Mehmed Siyah Qalam.
Through mixing his own ink, Ben is able to control the plate tone, which creates the atmosphere through which his shapes move.