Sara Marie Hødnebø | Opening, 2023
Viscosity Printed Etching
Media Dimensions: 67 x 98 cm
Image Dimensions: 67 x 98 cm
Unique Work
Unframed only
Split your payment over 10 months with Own Art 0% APR. Your monthly payment for this artwork could be from as little as £97.50 (unframed).
Sara Marie Hødnebø (b. 1986, Norway) is a newly BA graduate in Print & Drawing, from the Oslo National Academy of Arts and has also studied at the Kent Institute of Art & Design in Maidstone.
Texture, overlapping, layering, and mixed techniques frequently recur in her works. She works with etching and color viscosity, mixed with monochrome surfaces printed by an Epson Inkjet printer. In the prints these techniques overlap – drawing lines to how printmaking historically served as a tool for automation and mass communication. Her work explore: How do the technologies we surround ourselves with, influence our approach to time, presence materiality and subjectivity?
«[Printmaking] has always had an aura of pursuing artistic depth, while at the same time being an important society based invention whose impact changed society in a way that could easily be compared to that of the internet today» Sofie Dederen (1976 -), Belgium Printmaker
(1) Pettersson J. (2015) Printmaking In The Expanded Field (1. utg.). Oslo Academy of Arts, Norway
Viscosity Printed Etching
Media Dimensions: 67 x 98 cm
Image Dimensions: 67 x 98 cm
Unique Work
Unframed only
Split your payment over 10 months with Own Art 0% APR. Your monthly payment for this artwork could be from as little as £97.50 (unframed).
Sara Marie Hødnebø (b. 1986, Norway) is a newly BA graduate in Print & Drawing, from the Oslo National Academy of Arts and has also studied at the Kent Institute of Art & Design in Maidstone.
Texture, overlapping, layering, and mixed techniques frequently recur in her works. She works with etching and color viscosity, mixed with monochrome surfaces printed by an Epson Inkjet printer. In the prints these techniques overlap – drawing lines to how printmaking historically served as a tool for automation and mass communication. Her work explore: How do the technologies we surround ourselves with, influence our approach to time, presence materiality and subjectivity?
«[Printmaking] has always had an aura of pursuing artistic depth, while at the same time being an important society based invention whose impact changed society in a way that could easily be compared to that of the internet today» Sofie Dederen (1976 -), Belgium Printmaker
(1) Pettersson J. (2015) Printmaking In The Expanded Field (1. utg.). Oslo Academy of Arts, Norway
Viscosity Printed Etching
Media Dimensions: 67 x 98 cm
Image Dimensions: 67 x 98 cm
Unique Work
Unframed only
Split your payment over 10 months with Own Art 0% APR. Your monthly payment for this artwork could be from as little as £97.50 (unframed).
Sara Marie Hødnebø (b. 1986, Norway) is a newly BA graduate in Print & Drawing, from the Oslo National Academy of Arts and has also studied at the Kent Institute of Art & Design in Maidstone.
Texture, overlapping, layering, and mixed techniques frequently recur in her works. She works with etching and color viscosity, mixed with monochrome surfaces printed by an Epson Inkjet printer. In the prints these techniques overlap – drawing lines to how printmaking historically served as a tool for automation and mass communication. Her work explore: How do the technologies we surround ourselves with, influence our approach to time, presence materiality and subjectivity?
«[Printmaking] has always had an aura of pursuing artistic depth, while at the same time being an important society based invention whose impact changed society in a way that could easily be compared to that of the internet today» Sofie Dederen (1976 -), Belgium Printmaker
(1) Pettersson J. (2015) Printmaking In The Expanded Field (1. utg.). Oslo Academy of Arts, Norway