Lisa Chappell - Oblique, 2024
Screenprint
Media Dimensions: 28 x 28 cm
Image Dimensions: 14 x 16 cm
Edition of 5
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £20.00 (unframed).
Lisa Chappell is a London based artist and currently works as Specialist Screenprint technician at London College of Communication.
Lisa’s current practice explores motion, stillness and the passage of time: focussing on transient moments experienced by travel, shifting views and changing light, as seen through windows and digital devices.
She has a particular interest in photomechanical print processes, translating spontaneous photos via "slow" layered processes such as photo etching, photo litho, and screenprint.
The shapes of windows and digital screens are used as compositional devices to provide the viewpoint, ranging in format such as single image, obliquely angled, sequential or mutli-frame images.
The works submitted here are CMYK and RGB screenprints on black paper, placing the viewer inside, looking out.
“Sky Light” uses CMYK inks to capture the intense blue sky and drifting white clouds as the viewer ‘looks up’ through the skylight window.
“Oblique” is printed with RGB inks: light refractive particles in the inks serve to emulate the light emitted from digital devices, but also subtly alter the surface as the viewer moves past the image, creating a literal shift in light and perception of colour.
Screenprint
Media Dimensions: 28 x 28 cm
Image Dimensions: 14 x 16 cm
Edition of 5
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £20.00 (unframed).
Lisa Chappell is a London based artist and currently works as Specialist Screenprint technician at London College of Communication.
Lisa’s current practice explores motion, stillness and the passage of time: focussing on transient moments experienced by travel, shifting views and changing light, as seen through windows and digital devices.
She has a particular interest in photomechanical print processes, translating spontaneous photos via "slow" layered processes such as photo etching, photo litho, and screenprint.
The shapes of windows and digital screens are used as compositional devices to provide the viewpoint, ranging in format such as single image, obliquely angled, sequential or mutli-frame images.
The works submitted here are CMYK and RGB screenprints on black paper, placing the viewer inside, looking out.
“Sky Light” uses CMYK inks to capture the intense blue sky and drifting white clouds as the viewer ‘looks up’ through the skylight window.
“Oblique” is printed with RGB inks: light refractive particles in the inks serve to emulate the light emitted from digital devices, but also subtly alter the surface as the viewer moves past the image, creating a literal shift in light and perception of colour.
Screenprint
Media Dimensions: 28 x 28 cm
Image Dimensions: 14 x 16 cm
Edition of 5
Framed/unframed
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork could be from as little as £20.00 (unframed).
Lisa Chappell is a London based artist and currently works as Specialist Screenprint technician at London College of Communication.
Lisa’s current practice explores motion, stillness and the passage of time: focussing on transient moments experienced by travel, shifting views and changing light, as seen through windows and digital devices.
She has a particular interest in photomechanical print processes, translating spontaneous photos via "slow" layered processes such as photo etching, photo litho, and screenprint.
The shapes of windows and digital screens are used as compositional devices to provide the viewpoint, ranging in format such as single image, obliquely angled, sequential or mutli-frame images.
The works submitted here are CMYK and RGB screenprints on black paper, placing the viewer inside, looking out.
“Sky Light” uses CMYK inks to capture the intense blue sky and drifting white clouds as the viewer ‘looks up’ through the skylight window.
“Oblique” is printed with RGB inks: light refractive particles in the inks serve to emulate the light emitted from digital devices, but also subtly alter the surface as the viewer moves past the image, creating a literal shift in light and perception of colour.
