Teresa Schippel Hales | St Fagans, 2024

from £150.00

Photo Etching

Media Dimensions: 40 x 48 cm

Image Dimensions: 20 x 26.5 cm

Edition of 30

Framed/unframed

Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities

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Photo Etching

Media Dimensions: 40 x 48 cm

Image Dimensions: 20 x 26.5 cm

Edition of 30

Framed/unframed

Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities

Photo Etching

Media Dimensions: 40 x 48 cm

Image Dimensions: 20 x 26.5 cm

Edition of 30

Framed/unframed

Teresa loves to travel. She takes inspiration from nature: the interplay of sunlight; the formation of shadows & silhouettes, & reflections in water: from puddles to the sea. And the sky; clouds, dramatic & threatening, or light & insubstantial, creating a unique & limitless visual theatre. Other work takes inspiration from functional, manmade objects, beauty in the mundane; padlocks, keys, tools, bikes, tables, chairs. Not solely attracted by the forms & texture of the objects themselves, Teresa is interested in the relationship between positive & negative, by their compositional qualities

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