Corina Surdu | Sotto la superficie ghiacciata III, 2021
Linocut
Media Dimensions: 60 x 40 cm
Image Dimensions: 50 x 30 cm
Edition of 30
Framed/unframed
Nature, vision, and memory are closely intertwined in Corina Surdu's work, which, while remaining anchored in the representation of nature's wonders, constructs other worlds. The natural element, an emotional and poetic starting point, is transformed into abstract images of great imaginative scope. The xylography, often large in format and created using small engraved marks, outline a visionary, dynamic, and restless world. They are visions of skies, or perhaps galaxies, of clouds or rather oceans and abysses, of leaves and forests observed under a microscope; they are inner landscapes, mental realms with uncertain spatial coordinates, sometimes reversed, that become vibrant material in continuous motion. Beatrice Peria
Linocut
Media Dimensions: 60 x 40 cm
Image Dimensions: 50 x 30 cm
Edition of 30
Framed/unframed
Nature, vision, and memory are closely intertwined in Corina Surdu's work, which, while remaining anchored in the representation of nature's wonders, constructs other worlds. The natural element, an emotional and poetic starting point, is transformed into abstract images of great imaginative scope. The xylography, often large in format and created using small engraved marks, outline a visionary, dynamic, and restless world. They are visions of skies, or perhaps galaxies, of clouds or rather oceans and abysses, of leaves and forests observed under a microscope; they are inner landscapes, mental realms with uncertain spatial coordinates, sometimes reversed, that become vibrant material in continuous motion. Beatrice Peria
Linocut
Media Dimensions: 60 x 40 cm
Image Dimensions: 50 x 30 cm
Edition of 30
Framed/unframed
Nature, vision, and memory are closely intertwined in Corina Surdu's work, which, while remaining anchored in the representation of nature's wonders, constructs other worlds. The natural element, an emotional and poetic starting point, is transformed into abstract images of great imaginative scope. The xylography, often large in format and created using small engraved marks, outline a visionary, dynamic, and restless world. They are visions of skies, or perhaps galaxies, of clouds or rather oceans and abysses, of leaves and forests observed under a microscope; they are inner landscapes, mental realms with uncertain spatial coordinates, sometimes reversed, that become vibrant material in continuous motion. Beatrice Peria
