Susan May | nowhere was it, 2024
Media Dimensions: 34 x 53 cm
Image Dimensions: 34 x 53 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £120.00.
With some reference to drawings inspired by industrial/derelict/city areas, old fairgrounds, and prehistoric megaliths, Susan May constructs collagraphic plates, using a variety of materials including general detritus. This is, of course, a process of investigation, leading into interesting and unpredictable detours. The plates are inked, and passed through the press, often several times until the image is realised. Embossed and printed onto the paper, each resultant work is unique, owing much to the experimental approach to making.
Media Dimensions: 34 x 53 cm
Image Dimensions: 34 x 53 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £120.00.
With some reference to drawings inspired by industrial/derelict/city areas, old fairgrounds, and prehistoric megaliths, Susan May constructs collagraphic plates, using a variety of materials including general detritus. This is, of course, a process of investigation, leading into interesting and unpredictable detours. The plates are inked, and passed through the press, often several times until the image is realised. Embossed and printed onto the paper, each resultant work is unique, owing much to the experimental approach to making.
Media Dimensions: 34 x 53 cm
Image Dimensions: 34 x 53 cm
Unique Work
Framed only
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £120.00.
With some reference to drawings inspired by industrial/derelict/city areas, old fairgrounds, and prehistoric megaliths, Susan May constructs collagraphic plates, using a variety of materials including general detritus. This is, of course, a process of investigation, leading into interesting and unpredictable detours. The plates are inked, and passed through the press, often several times until the image is realised. Embossed and printed onto the paper, each resultant work is unique, owing much to the experimental approach to making.